Friday, May 31, 2013

Star Trek: Into the Darkness

Heads up, this is a spoiler review. Also, this is going to be really random and spotty, just about things that caught my attention. Something about watching a movie in a big theatre has me focused even more on watching, even less than normal on listening and less on thinking...at least I will blame the theatre/first time viewing for that...so I can perhaps go watch it again...:)

Seeing my beloved crush someone's skull in his hands was quite disturbing. I was hoping he would be a Loki-esque bad guy. I must say he looked marvelous running though.

I am not sure what I was expecting. This was a lot darker than the first movie; the title should have given me a clue, but I am an oblivious being.

Characteristically Kirk begins off the movie by breaking rules; however, he breaks these rules for good. Equally characteristically Spock reports all of this accurately, and consquently Kirk is demoted with the possibility of being sent back to the academy.

This blow to Captain Cocky (especially as he receives the phone call for a meeting after a sexual escapade of which thankfully nothing is shown beyond that to enlighten the viewers of its occurance) was well-judged, a nice pride-before-the-fall bit as it were.

Then follows a touching scene with the father-like figure Admiral Pike who appoints Kirk his second in command. Right after this scene Pike is killed, and Kirk is shattered and sobered by this (Spock seems to be touched as well), so that he begins following orders to the dot which results in another excellently portrayed, tense scene when Scottie leaves the ship.

Spock also seems to sense foul play and plants a bug in a typically resistant Kirk's ear. Spock backs off, and Kirk reconsiders his plan. Khan is taken alive.

Super villain John Harrison was tricked and used by Admiral Marcus, and so wreaks his revenge on the human world. Kirk and Scottie are tricked into helping him. Between Marcus and Khan The Enterprise is falling to earth, and Kirk sacrifices his life to save his crew. Another excellent aspect.

Spock is the most touched by Kirk's death...or for the first time allows himself to be so. He goes after Khan (the chase scene has to be the best action scene in the movieBenedict Cumberbatch running, ah me), and Uhura goes after him to prevent his killing Khan (which I don't think would have been possible anyway), so that Khan's blood can be used to save Kirk.

There was nothing profound in the plot. My brother said he could predict everythig. Even though I was credulous for much of the movie, I think I could guess some of it although I should have been able to guess more.

It wasn't the plot that made the movie. It was the emotion between the characters. The death scenes. The cool scenes. Scottie leaving. The more milder and mature Kirk. The more human Spock. Spock and Kirk friction. Spock and Uhura. Sacrifice, even from Khan (although rereading this I don't know to what I was referring). Control on vigilantism from Kirk and also the entire Star Fleet with regards to those super warriors.

Wednesday, May 29, 2013

Middlemarch Review Part III

And now for the best. Read part one here and two here.

Caleb Garth was the best character as person. Caleb-with-a-‘c’(which form I have always preferred and considered as the true form and which must be distinguished from Kaleb-with-a-‘k’ as they don't have the same connotation, at all, Kaleb-with-a-‘k’ is just a name) is homespun, solid, heart of gold goodness.

I loved his character especially as such characters seem rarer than one might think—good, humble, honest characters are often portrayed as somewhat simple—not Caleb! He was sweet, strictly honorable, diligent, and intelligent. He did have two flaws in my opinion—his choice of wife and his having a favorite child.

And now we come to my favorite character, Fred. I think I love all literary Fred’s (for example par excellence, Fred Weasley). That name and mischievousness and merriness seem inseparable (but Frederick is more magnificent...Captain Wentworth anyone?). Fred Vincy, what a silly gentleman's name, but Frederick shows that the character has the capacity to deepen. 

 Fred was irresistibly lovable in a Laurie-esque way: he was rich and spoiled with plenty of potential in him. The descriptions of him and his thought processes and his “travails” and his love were hysterical.

I was irritated with his laziness and loved that Mary and Caleb both thought that he needed to work and not rely on being a gentleman of means (even if he could). I was thrilled that he was allowed to improve.  I love when characters turn around like that. He wasn’t a worthless rich snob. What a good lad. I don’t like the slights Mrs. Garth gave him in Farebrother’s favor.

Whew, that is all I have the will to express about Middlemarch.

Tuesday, May 28, 2013

Middlemarch Review Part II

Now for the more ambiguous characters. Read part one here and three here.
  The Vincys, Sir James and Celia, yawn.

Mr. and Mrs. Cadwallader—funny.

I despised and disliked Dorothea herself in the beginning; she was stupid and obnoxious and inconsistent, aiming for “high” goals with steps that quite clearly took her to depths as she had neither foresight or insight. She was described as being deep and noble and etc., but her actions showed otherwise until after Causabon’s death. Actions speak louder than words even in fiction.

She should’ve seen that even a  great theological work (which Causabon’s work was NOT) is not widely beneficial—God does not list massive theological works under Christian responsibilities (although they are and do good to educated people), but He does require kindness, charity, and good works—and her cottages were much more Biblical and helpful especially in light of the fact that Causabon’s work turned out to be mythological and ludicrous.

She rather deserved a downfall, but I think she perhaps got more that she deserved…maybe not, she should’ve know marriage was for life and could be bondage.

Even though she was innocent, I still think she should’ve known better than to be so free and friendly with Will, especially since she knew that it displeased her husband.

I am glad Causabon died before she could promise—but she still showed her weakness. She seemed very mature after that ordeal though, I like the concept of progression. I wish Will had shown it too though. I did like her and Will’s relationship after the death of Causabon.

Will, oh Will. “What a pepper-pots you are!” (guess that quote!) Will, who doesn't love a Will? And Ladislaw, are all Polish names interesting? He is interesting and merry and ardent and changeable.

He was irritating in his worship of Dorothea and the way he viewed all other women—except when this was applied to Rosamund—that wretch. He spent too much time with Rosamund, and he should’ve known better and seen how shallow she was.  Even if he cared so little what other people thought of it and for Rosamund herself, he still should’ve cared what Dorothea thought…and his duty to Lydgate.

He was also committing adultery with Dorothea on his own part. But as I said, I loved that he and Dorothea married after that…is that wrong? His honor and pride were impeccable with regards to everything besides marriage in which he deceived himself.

Farebrother. I liked him at first probably somewhat to make up for Lydgate’s snubs. When Mary came up, I was much less pleased with him. The age difference was disgusting. I also took offense at the comparison between himself and Fred as if he had some greater right because he was older…to a young woman near Fred’s age. If he and Fred were the same age and Mary was neutral, yes, but the older shouldn’t steal from the younger nor should the unfavoured from the first favoured.

It was interesting that he was so truthful with Fred, but it was disgusting to hear of such selfish, deceitful considerations from so old a person and a clergyman. He shouldn’t have pushed his case as angered at Fred’s presumption against his worthy age—he would’ve lost his respect had he put in his hand. He took the only honourable course even had Mary been neutral.

Mrs. Garth. The fact of her being above Caleb in status shouldn’t have affected Caleb’s deserving an excellent woman. She may have been described as a good woman, but I don’t want the author to tell me if a character is good or bad or nice or mean—I want to see those things. I did not see anything overly admirable and certainly nothing pleasant about Mrs. Garth.

Mary was a nice character of course, but she was rather underdeveloped as a character especially since she was pursued by two male characters at least one of whom was more developed than herself. There was very little interaction between her admirers and herself.

The quote is from Little Women in chapter 21. Jo says it to Laurie, of course!


Monday, May 27, 2013

Middlemarch Review Part I

The book was long and had many characters, and I am verbose and rambling, so the review (spoiler review by the way) will be in 3 parts...live with it! :)

I cannot remember exactly when I started this, I think sometime in January. I read it in phases. I was dragging my mind, not very motivated. Eventually, I think became very interested after forcing myself along and my reading sped up. By the time I was finished I could honestly say that I enjoyed it immensely. The plot was wonderfully interesting with all the many plotlines and their interesting intersections…or lack thereof. Much of the story was brimming with British humor. Candid descriptions of human unconscious and conscious maneuvers and motivations abounded.

Unpleasant aspects first.

The major issue with this novel was the light view of the sanctity of marriage. Apparently to love a married person from afar was not dishonorable (even though every other old standard of strict honor was held).
I don’t like when people inquire into authorial intent (we can only know authorial intent if we read personal journals and letters and sometimes I don’t want to know it, it rather spoils forming my own opinions), but I do think we need to allow for authorial bias. I know that Eliot did not have a great set of morals herself as she formed an immoral alliance outside of marriage, and I cannot help but think that this influenced her apparent idea that extramarital romantic love as long as it was “pure” (by its very nature it cannot be in such circumstances) was acceptable.

Will quickly fell in love with his cousin’s wife, and this love is treated as good because she was angelic and “had no corresponding feeling” and because he had “no designs”. Rosamund’s love for Will is portrayed in a more neutral light (but it obviously is still wrong) and even Dorothea doesn’t see this with all her described virtues; she should’ve been horrified as well as jealous and pained when she thought Will loved Rosamund. I feel that since Rosamund is so despicable that perhaps this portrayal is less dangerous at least for the Biblically educated reader.

While we are on the subject of that diva...frail creature my eye. If she was capable of being so willfully a shameful, selfish, adulterous, manipulative witch, she was capable of applying her mind to being good; she obviously had some brains. She also seems terribly lazy, but I am not sure what her household duties were…all she seemed to do was busywork, complaining, primping, riding without her husband’s permission, complaining, and fawning on her husband’s rich relations. To sit and spend all Lydgate’s earned money and then dishonor and disrespect him and withdraw her love when he was in trouble because of HER! Poor Rosamund indeed. !!!!!!

Oh, and it was TOTALLY out of character for her explain her own and Will’s situations to Dorothea as she did. Not that it would redeem her in my eyes if it seemed realistic…

Lydgate. This section of the story bothered me the most. I always like the well-bred-to-the-point-of-arrogance characters to some extent because of their breeding, so I approved of Lydgate although I did not like his harsh judgment and treatment of Mr. Farebrother.

Even though I knew Rosamund would turn out horrid, I kept believing/hoping that Lydgate would be successful in the medical field and never thought he would succumb as he did to her selfish, manipulative will. I found it hard to believe that he still loved her after her disobedience and deception, and I kept hoping that he would pull himself together and be a man.

He was rather stuck on himself, but I don’t think he deserved to live his life under Rosamund’s sorry will and accomplish nothing and die young. That ending was too cruel…especially as it was written in a light tone and as if it was supposed to be humorous—insult to fatal injury! Lydgate was of a higher order—or should have been. I supposed though that this was something of a “pride before the fall” set up.

I felt sorry for Mr. Bulstrode. I did not like that his repentance had to be false. I also hated the hypocrisy and cruelty of the gossipers. I hated that Bulstrode killed the man—why did she have to add that horrific, criminal twist? I supposed too many reforms (Fred) would’ve  been too great—but murder? REALLY?

I even at some points (not near his end) felt sorry for Causabon because no one liked him, and he was so miserable and his work was worthless and foolish (a redeeming insight of Dorothea’s). However, he could’ve taken himself less seriously and have loosened up so as not to be himself ridiculous and rude. What he asked of Dorothea was selfish, wicked, and cruel (he knew her sense of honour would last beyond his death). I couldn’t pity him then—I rejoiced at his death quite as much as I was originally planning.

Yes, all you get this time is the unpleasant parts. Read part two here and part three here.


Tuesday, May 7, 2013

Clothes Mentor

I love this consignment chain! I went for the first time last week and spent millions...maybe...maybe could've.
Anyway, here is my haul. I was pleased with the prices and conditions and fiber choices for my fabric snobbery (or snobbobery to use my dad's version of the word). I don't look good in capris, so I am planning on making the capris into Bermuda shorts. I am also planning on letting out the pleats at the botton of the white top, taking off the heavy hem, and taking in the sides a bit. Other than that everything should fit nicely...after I finished losing my weight.



Price: $7   Brand: New York and Company   Material: 78% cotton, 20% polyester (ugh), 2% spandex




 Price: $16   Brand: Ann Taylor   Material: 55% cotton, the rest various manmade fibers




Price: $16   Brand: Ann Taylor  Material: 100% silk




Price: $10   Brand: New York and Company   Material: 100% cotton




Price: $10   Brand: Express   Material: 55% silk, 45% cotton




Price: $10   Brand: Cynthia Rowley   Material: 55% linen, 45% rayon




Price: $9   Brand: Ann Taylor LOFT   Material: 100% cotton




Price: $6   Brand: Apt. 9   Material: Trim: 100% silk, Body: 58% silk, 27% nylon, 15% cotton




Price: $10   Brand: Talbots   Material: 58%  silk, 42% cotton




Price: $10   Brand: Unlisted




Price: $7   Brand: Impo




Price: $18   Brand: Madden Girl



I am sooo sorry for all these fluffy posts. I am waaaay behind on my Classics Club reviews; I am doing (in starts and stops) the old-fashioned and, for me, more expressive hand-written draft route first. I am afraid my Middlemarch review may be as long as the book itself...well, it could be. Hopefully, I will have at least one of those up this week.


Monday, May 6, 2013

The Elite

Yeah, so I totally forgot about this...why you ask? Well, ahem, all my ridiculously adolescent fangirling didn't end well.

I started reading, became impatient, skipped through, was thoroughly disgusted (I know I should have had a clue), and sent both the books back a few days after receiving The Elite.

Contemplated this blog post and fumed a bit and then forgot the trifling affair.

Lesson to be learned: don't become too deeply involved in fluff.

Lesson learned? Um, seeing how I reacted to Twilight, this, and then The Host issue (was that before or after The Elite...well, that doesn't signify in this answer)...weeeelll.